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Reifman, B. V. The Way to the Notion Accompanied by the Image: Some Aspects of Sergei Eisenstein’s Film Theory

Abstract: The article describes some aspects of Sergei Eisenstein’s film theory viewed from the point of view of the film-modernism conception. Most of the attention is focused on a very important problem in Eisenstein’s esthetics: the problem of conflict relations between image and concept in the audience reception of a film. Ways of activating of the audience conception thinking which is structured by the scientists as a method of creation of an image accompanied by its alienation, is compared with the irrational and rational forms of film modernistic opposition to the totally narrative film realism.


Keywords:

cultural studies, image, concept and myth, film modernism, film realism, alienation, audience reception, institutionalization, irrationalism and rationalism, philosophy of life, Marxism.


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