Translate this page:
Please select your language to translate the article


You can just close the window to don't translate
Library
Your profile

Back to contents

Culture and Art
Reference:

Khrenov, N. A. Russian Art at the Turn of the 20th Century and Its Role in the Cultural Synthesis of the West and the East

Abstract: This article focuses on a transitional period in the history of Russian art, namely on the turn of the 20th century. An intensive interaction between different cultures – Russian, Western and Eastern - was taking place during this very period. The phenomenon of the cultural synthesis is a subject of our particular analysis. Special attention is given to assimilation of Eastern cultural values as part of the synthesis which characterizes not just the Russian but the Western culture as well. At the same time in some cases such assimilation in Russian culture shows its seamy side - the anti-Western sentiment. An increasing interest in Eastern values at the turn of the 20th century in Russia we demonstrate through the analysis of the works of L. Tolstoy, V. Solovyov, A. Bely, A. Blok, N. Roerich, V. Khlebnikov, A. Dobroliubov, K. Balmont, B. Livshits, and others. A special page of this history covers the reflection of the “Eurasians” (historians, philosophers, publicists) – G.Vernadsky, L.Karsavin, N. Karsavin, among others. Their writings had formulated the idea which had been reverberating in art in a subconscious form. Later, closer to modern times, its development will be continued by L.Gumilev.


Keywords:

cultural synthesis end cultural identity, euro-centrism, axis time, modernity – romanticism – neoromanticism – symbolism – eurasianism, Faustian man, scythianism, pan-unity, pan-mongolism


This article can be downloaded freely in PDF format for reading. Download article


References
1. Berdyaev N. Novoe religioznoe soznanie i obshchestvennost'. M., 1999.
2. Berdyaev N. Problema Vostoka i Zapada v religioznom soznanii Vl. Solov'eva // O Vladimire Solov'eve: Sbornik pervyy. M., 1911.
3. Vernadskiy G. Nachertanie russkoy istorii. M., 2004.
4. Vipper B. Iskusstvo Drevney Gretsii. M., 1972.
5. Gete I. V. Zapadno-vostochnyy divan. M., 1988.
6. Graf L. N. Tolstoy i kritika ego proizvedeniy russkaya i inostrannaya F. I. Bulgakova. SPb.; M., 1886.
7. Groys B. Rossiya kak podsoznanie Zapada // Groys B. Iskusstvo utopii. M., 1993.
8. Danilevskiy N. Rossiya i Evropa. Vzglyad na kul'turnye i politicheskie otnosheniya slavyanskogo mira k germano-romanskomu. SPb., 1871.
9. Delez Zh., Gvattari F. Chto takoe filosofiya? M., 2009.
10. Zavadskaya E. Kul'tura Vostoka v sovremennom zapadnom mire. M., 1977.
11. Kardini F. Evropa i islam. Istoriya neponimaniya. SPb., 2007.
12. Loshchits Yu., Turbin V. Tema Vostoka v tvorchestve V. Khlebnikova // Narody Azii i Afriki. 1966, ¹ 4.
13. Merezhkovskiy D. L. Tolstoy i Dostoevskiy. Vechnye sputniki. M., 1995.
14. Punin A. Iskusstvo Drevnego Egipta. SPb., 2010.
15. Puteshestvie na Vostok. Pis'ma Andreya Belogo // Vostok-Zapad. Issledovaniya. Perevody. Publikatsii. M., 1988.
16. Florovskiy G. Puti russkogo bogosloviya. Kiev, 1991.
17. Khabermas Yu. Filosofskiy diskurs o moderne. M., 2003.
18. Chaadaev P. Sochineniya. M., 1989.
19. Shifman A. Lev Tolstoy i Vostok. M., 1971.
20. Shubart V. Evropa i dusha Vostoka. M., 1997.
21. Yaspers K. Smysl i naznachenie istorii. M., 1991