Reference:
Sycheva N.N..
Romantic Traditions in the Works of Ivan Sokolov on the Example of Intertextual Poetics of "Gospel Paintings"
// PHILHARMONICA. International Music Journal. – 2022. – ¹ 6.
– P. 24-39.
DOI: 10.7256/2453-613X.2022.6.39523.
DOI: 10.7256/2453-613X.2022.6.39523
Read the article
Abstract: The article is devoted to the work of Ivan Glebovich Sokolov (born 1960), which unfolds in many areas of activity, and among them the main one stands out – composer and pianist. Performance directly affects his composer's searches. Realizing the special impact of the music of romantic composers on listeners, I. G. Sokolov changes the focus of his work from a «conceptual» vector to a traditional style of writing. He creates a number of works directly related to the romantic tradition, among them the piano cycle “Gospel Pictures» (2012) stands out, in which the high role of associative links with the heritage of romantic composers (J. Brahms, F. Liszt, S. V. Rachmaninov, A. N. Scriabin, P. I. Tchaikovsky, F. Chopin, R. Schumann).
The focus of the article is the intertextual layer in the «Gospel Pictures», which is realized at two levels: compositional and intonational-thematic (quotes, quasi-quotes, allusions), the latter is given special attention in the article. As a result of the analysis, the author comes to the conclusion that the noted material, which is directly related to the musical culture of romanticism, merges into a single whole with the style of the musical language of the piano cycle, forming a «mono-stylistic» (G. V. Grigorieva) musical fabric, which emphasizes the relevance the concept of extending romantic traditions in modern domestic musical culture. At the same time, this perspective of the study confirms the concept of A. V. Mikhailov about the «phenomenon of the omnipresence of romantic music», as well as its «indestructibility» and «immortality» in the process of evolution of musical culture.
Keywords: piano cycle, Gospel Pictures, Ivan Glebovich Sokolov, composer-pianist, romantic traditions, citation, allusion, quotation, intertextuality, prelude
References:
Ruchkina, N. P. Composer's work of I. G. Sokolov: the formation of a «simple» style: Candidate of Arts History: 17.00.02. M., 2017. 234 p.
Chinaev, V. P. From the avant-garde to the classics: to the question of alternatives to contemporary performing arts (interviews with Ivan Sokolov and Yuri Favorin) // Piano culture of Russia: history and modernity. M.: Research and publishing center Moscow Conservatory, 2016. P. 252-262.
Dubinets, E. A. Interview with I. G. Sokolov «I still call myself a composer» // Mozart does not choose his fatherland. On the music of contemporary Russian abroad: Collection of interviews. M.: Muzizdat, 2016. P. 209-221.
Kosheleva, Yu. A. On the features of the intonation dramaturgy of the piano cycle «Gospel Pictures» by Ivan Sokolov // Problems of Musical Science. 2021. No. 1. P. 109-120.
Zolotukhina, E. A. The symbolism of the cross in the piano cycle of I. Sokolov «Gospel Pictures» // Musicology in the XXI century: theory, history, performance. Collection of articles